10:37 PM, Monday November 15th 2021
Arrrgh, I misunderstood twice. I thought that form shading, that is my blacking out the other side of the leaves was good practice. TT
Thank you so much for your feedback and critiques!
Arrrgh, I misunderstood twice. I thought that form shading, that is my blacking out the other side of the leaves was good practice. TT
Thank you so much for your feedback and critiques!
Hello. Sorry for the super later reply. Here is my revision sir.
Hello, that was very clear and to the point. I think I understand where I went wrong now. I was using this demo as my reference for red meat and metal bar without considering the form intersections and cast shadows at all.
I'll try to keep in mind how far my drawing should go. Admittedly, I was panicking so much when trying to transform colorful photos into a black and white drawing that I just decided to throw in everything I could.
Thank you very much for the reply! It really helped clear my confusion ???? I really appreciate your help.
Hi, thanks for the feedbacks. I'll try working on maintaining a consistent increase in arrow widths and varying the light sources for the organic intersection exercise as you suggested.
By the way, I don't quite understand what you mean by "In the texture exercises you're focusing largely on outlines and negative space rather than cast shadows created by forms along the texture itself."
I've read all the links that you provided, but it didn't quite help me. Could you please point out specifically where the problem is in my work. May be put a red mark or name the texture that's most problematic or something?
Thank you very much for your feedback!
Thank you!
Thanks!
Hi there! Oh, I thought using the same fineliner was bad because it would look confusing, so I assume you mean using the same fineliner with much more thinner line weight or something? Thanks for the reply!
Hi Rob, Thank you very much for the very detailed feedback and kind words.
These are my favourite sketchbooks, hands down. Move aside Moleskine, you overpriced gimmick. These sketchbooks are made by entertainment industry professionals down in Los Angeles, with concept artists in mind. They have a wide variety of sketchbooks, such as toned sketchbooks that let you work both towards light and towards dark values, as well as books where every second sheet is a semitransparent vellum.
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