1:17 AM, Wednesday October 20th 2021
I think that kinda visual actually helps a little, and I will try that box idea.
Thank you very much.
I think that kinda visual actually helps a little, and I will try that box idea.
Thank you very much.
Sort of, perhaps it's because the farther end is overall smaller, or it's too subtle, but it doesn't look like I'm seeing more of the far face. I'm having a tough time visualizing it, and applying it to my current boxes. The visual aid on the challenge didn't really help as it's a top down view. Looking through my boxes so far, I do sometimes see a noticable width to height ratio occasionally, but the inner lines are scuffed, so I don't know if I can trust those as an aid to visualize it better.
Thank you for the response though!
https://imgur.com/a/iA2FYSi here is the link to the extra frame. I appreciate the feedback and am looking forward to more later on. I'm still struggling to end my lines at the correct spots, in which I try to accomodate by taking my pen of the paper as recommended, but still manage to undershoot, overshoot, or squigle at the end. Should I not worry about it too much as it'll go away with more practice, or should I attempt to specifically tackle the issue while practicing?
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
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