Ah, I think I probably understand what that means.
i'll probably watch the video again just in case, thank you!
glad I asked first else It'd be too late when I progress into the 2nd page of the exercise.
Hi!
Thanks for the reply.
Yeah,I've felt like I was grinding, but sometimes even knowing that I can't seem to throw away the thought of redoing it again, but seems like I've accepted it now.
The 2-part patience has got me thinking for a while, but I think I understand.
I've read it and tried to find some music, and I think it worked out quite well.
As for that double-inhale technique, it has also helped a lot, thanks for recommending that.
Thanks again, hope I'll be able to get back on track soon. :)
Hello, thanks for taking your time to answer my questions.
After looking closely at the kiwi fruits, they indeed have cast shadows that I have failed to see, thanks a lot for pointing that out.
Will also check out Uncomfortable's video on that and the pinterest board, thanks again for answering.
Hello there and thank you for the feedback! Will definitely work on the hatching and other things you pointed out. Wasn't really sure if I was applying line weight, though. I was pretty unaware.
Thank you again!
Hello Rob and thanks for critiquing my work.
I have uploaded the missing page of organic perspective into the imgur album, sorry for the small trouble.
I'll look into the problems you pointed out for me, thanks a lot and have a nice day!
Where the rest of my recommendations tend to be for specific products, this one is a little more general. It's about printer paper.
As discussed in Lesson 0, printer paper (A4 or 8.5"x11") is what we recommend. It's well suited to the kind of tools we're using, and the nature of the work we're doing (in terms of size). But a lot of students still feel driven to sketchbooks, either by a desire to feel more like an artist, or to be able to compile their work as they go through the course.
Neither is a good enough reason to use something that is going to more expensive, more complex in terms of finding the right kind for the tools we're using, more stress-inducing (in terms of not wanting to "ruin" a sketchbook - we make a lot of mistakes throughout the work in this course), and more likely to keep you from developing the habits we try to instill in our students (like rotating the page to find a comfortable angle of approach).
Whether you grab the ream of printer paper linked here, a different brand, or pick one up from a store near you - do yourself a favour and don't make things even more difficult for you. And if you want to compile your work, you can always keep it in a folder, and even have it bound into a book when you're done.
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