6:30 PM, Saturday February 17th 2024
LETS GO! I mean thank you for the advice ill work on the boxes a lot more for my warm ups as I move to lesson two ( after my 50 percent piece ofc) thanks for helping me out!
LETS GO! I mean thank you for the advice ill work on the boxes a lot more for my warm ups as I move to lesson two ( after my 50 percent piece ofc) thanks for helping me out!
The first First 3 looked a bit extreme so thats why the few extras exist,
https://imgur.com/a/I3rkO2s heres my attempt to make them shallower.
how do these look? https://imgur.com/a/HuTcEq1
I guess one question i have is by "outer lines" you mean the lines that form from the initial Y point?
Sorry, im not sure im getting it, im following the instructions but one or more of the perspectives are just always off.
I think i overcomplicated what i was supposed to do, i looked over the boxes with a ruler and tried to see what they would look like if they convergered , i did it in a black pen, and the original boxes are in blue.
Ill take a break then and tackle it tomorrow then, im not sure if im confused on something though, to converge they have to be set to the same vp and to do that you have to intersect where the lines meet, i think.
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
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