That was great, although some pictures were slightly blurry. GREAT!
Next Steps:
Move onto the 250 Box Challenge.
That is absolutely perfect! Everything is great! I would recomment not to go over your ellipses too much, but everything else was great!
Next Steps:
Move onto the 250 Box Chaklenge! Good Luck!
I agree with you, but maybe domt do it ON your homework, but perhaps on another piece kf paper.
Just try to balance it out, you don’t even need a timer. Also, it is recommended to do the 50% rule, however it is your choice to do it or not. It will be highly recommended to do the 50% rule, at least for when you are in the first few lessons. I’m not really sure about though. 50% rule is just used to expand your imagination, and get the gist of your drawing, and it is recommended you do it all the time. This is just coming from me, someone who hasn’t even completed lesson 1, so the information may not be that accurate. Hope this helped!
Great! With the ellipses, I did see it messed up a little, try to improve that
Next Steps:
Perhaps do another page of ellipses. Move onto 250 box challenge
That was really good! Personally, I haven’t completed it yet, but that great!
Next Steps:
Nice! Move onto 250 box challenge
Everything was great, but I didn’t see any of the boxes work. I’m not sure if it’s something that I just didn’t see, or if you didn’t upload it.
Next Steps:
Complete boxes
Everything was great!
This was great work! Personally, I haven’t completed the homework yet, but it honestly really looks like you understood what to do.
I haven’t completed this homework yet, I’m still looking for the tool/supplies, but your work was great! I would say just one thing to improve on, which happens to everyone, but there was lots of fraying on the long lines. That’s completely fine, it wasn’t at both ends, but it did occur quite quickly. Hope this helped!
Next Steps:
Perhaps you could do just one page of the super imposed lines again, or maybe just half a page, just try to get a little less fraying.
These are my favourite sketchbooks, hands down. Move aside Moleskine, you overpriced gimmick. These sketchbooks are made by entertainment industry professionals down in Los Angeles, with concept artists in mind. They have a wide variety of sketchbooks, such as toned sketchbooks that let you work both towards light and towards dark values, as well as books where every second sheet is a semitransparent vellum.
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