FiddlewheelX

The Relentless

The Indomitable (Autumn 2024)

Joined 3 years ago

2200 Reputation

fiddlewheelx's Sketchbook

  • The Indomitable (Autumn 2024)
  • The Indomitable (Summer 2024)
  • The Indomitable (Spring 2024)
  • The Unshakeable (Winter 2023)
  • The Indomitable (Autumn 2023)
  • The Indomitable (Summer 2023)
  • The Indomitable (Spring 2023)
  • The Unshakeable (Winter 2022)
  • The Indomitable (Summer 2022)
  • The Indomitable (Spring 2022)
  • Sharing the Knowledge
  • The Relentless
  • Basics Brawler
  • Drawing Prompt: The Great Space Bakeoff

  • Drawing Prompt: Mascot High School

  • Drawing Prompt: Hidden Amongst Us

  • Drawing Prompt: Bottle it Up!

  • Drawing Prompt: Pirates in Every Age

  • Drawing Prompt: Bardic Band

  • Drawing Prompt: What's With All the Cows?

  • Drawing Prompt: Close your Eyes

  • Drawing Prompt: The Future of Shopping

  • Drawing Prompt: Cryptid Employment

  • Drawing Prompt: Biblical Accuracy

  • Drawing Prompt: Wild Dining

  • Drawing Prompt: Safe Space

  • Drawing Prompt: Willy Wonka's Change of Industry

  • Drawing Prompt: The Big Hamster Wheel of Life

  • Drawing Prompt: Espionage Cat

  • Drawing Prompt: No Take, Only Throw!

  • Drawing Prompt: Royalty, Nobility, and Aristocatcy

  • Drawing Prompt: Khajiit has Wares

  • Drawing Prompt: The Good, The Bad, and the Pugly

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Framed Ink

Framed Ink

I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.

Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.

Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.

Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.

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