4:49 AM, Saturday November 4th 2023
Thank you! I love drawing landscape backgrounds it's one of my favorite things to draw, period! Might even be my favorite thing to draw in fact.
Thank you! I love drawing landscape backgrounds it's one of my favorite things to draw, period! Might even be my favorite thing to draw in fact.
I actually think a bit of why my lines were more wobbly is because I took that 6 month break where I was drawing almost entirely digitally and uses the app I was drawing in to do any straight lines. Never the less I actually don't hate ellipses or cylinders so I don't really mind spending some time on the planes exercise.
o_o
Thanks!
Ty! This does put a smile on my face... but if you don't mind me asking... what's the purpose of 250 cylinders? I can understand drawing a ton of them, but 250 seems like a way too much.
Try adding shadows and post the picture so its not sideways
thank you for your answer and i had another question about the additional muscle masses. how do i know when to use sharp edges and when to use soft ones like in this example? i never really understood this from the start.
Do you really have to use your shoulder to draw everything? For smaller details, additional masses, sausage forms, and more I find to be near impossible for them to be non wobbly because it's so hard to draw from the shoulder in smaller places. I reread all the critique for lesson 4 and 5 and a lot of the times you said my lines were wobbly and non confident it was only because I drew from the shoulder.
I actually emailed him asking if I had to restart the course or not and he said no but it would be smart to redo lesson 5 entirely. I would definitely agree.
I AM planning on returning to dab as well and will completely redo lesson 5 as recommended by uncomfortable
Right from when students hit the 50% rule early on in Lesson 0, they ask the same question - "What am I supposed to draw?"
It's not magic. We're made to think that when someone just whips off interesting things to draw, that they're gifted in a way that we are not. The problem isn't that we don't have ideas - it's that the ideas we have are so vague, they feel like nothing at all. In this course, we're going to look at how we can explore, pursue, and develop those fuzzy notions into something more concrete.
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