36Boxes

Joined 2 years ago

1300 Reputation

36boxes's Sketchbook

  • Sharing the Knowledge
    10:45 AM, Thursday September 19th 2024

    Glad you appreciated the feedback and good luck! Hope you have a nice day too. :)

    2 users agree
    11:11 PM, Tuesday September 17th 2024

    Hi, nice work and a strong entry into the course! Overall, I think you've demonstrated well that you're engaging with the demands of each exercise. To make sure that you've become adept in each skill here, which is crucial for success in the remainder of the course, I wanted to assess your work and make suggestions for each task.

    • Superimposed lines

      I notice fraying on both sides of the lines, as well as wobbling and wavering from the planned trajectory. At the same time, you have drawn lines that seem to have not wavered. This is rather promising, and the mistakes made are rather natural for the first time in approaching the exercise. I think it will be helpful to revisit this exercise just to focus more on some specific details, such as starting the lines at specific points to avoid fraying on both sides. I also feel you may benefit from trying other kinds of patterns, such as s-shapes.

    • Ghosted lines

      I also notice wobbling and bowing here. I would merely recommend repeating a page of this while making fully sure that you hold your breath while drawing the lines, and be quick in drawing the lines from your shoulder. Try fitting more lines onto a page this time as well for the additional chances to practice experiencing the feeling of your shoulder working. Experiment with different lengths of lines as well.

    • Ghosted planes

      The wobbling and bowing from previous exercises is also present here, however, I also notice that you are drawing more clearly straight lines here as well, which indicates you became more used to using your shoulder. That being said, I would still advise repeating this exercise to get used to drawing the diagonal lines before placing the center vertical and horizontal lines, as the diagonal lines will show you where the center vertical and horizontal lines can be correctly placed on the plane. At the moment, the vertical and horizontal lines are misplaced on the planes.

    • Tables of ellipses

      You are drawing through, evenly executing the ellipses, and clearly making an effort to contain the ellipses within their alloted spaces. While there are ellipses that escape their alloted space, there is still a demonstration of a control of the various volume of the ellipses. I would constitute this exercise as successful, but may also suggest that you repeat this one as a warmup prior to other drawing, for the sake of improving your ability to draw the ellipses within their boundaries.

    • Ellipses in planes

      You're working with some complicated and extreme angles here, and manage to serviceably execute the ellipses. That being said, I feel that your efforts would benefit from making an effort to ensure that the ellipses touch all 4 edges of the planes. I would also consider this exercise for warm-ups.

    • Funnels

      Your funnels are generally fine, but I would ask that you repeat this and make sure that you align the ellipses with the central axis line. At the moment, some of the ellipses vary in angles. I would also ask that you consider keeping the ellipses within the boundaries of the funnels while drawing through them.

    • Plotted perspective

      Well done!

    • Rough perspective

      Please repeat this while making sure that the horizontal and vertical lines are either parallel or horizontal. This will make a huge difference. Remember to use your shoulder as with the ghosted lines exercise.

    • Rotated boxes

      Well done as well. The top boxes collapse inwards to the left with inconsistent perspective, but I still consider this a pass as rotation has been demonstrated.

    • Organic perspective

      You are much better with the ghosting method here than in other exercises. The use of dramatic foreshadowing is quite effective, as well. I consider this a pass.

    Next Steps:

    Please perform another page of:

    • superimposed lines (making sure you start each line at the same point)

    • Ghosted lines (making sure you use your shoulder)

    • Ghosted planes (correct placements of diagonals and vertical/horizontal lines)

    • Funnels (with consistent angles of ellipses angled towards centre line)

    • Rough persepective (with vertical and horizontal lines either perfectly parallel or perpendicular

    For a total of 5 pages.

    When finished, reply to this critique with your revisions.
    9:36 AM, Sunday August 11th 2024

    Thank you very much for this and my apologies for just now seeing this and replying. I really appreciate you taking the time to examine my prior work as well and advise me like this. I will reply again after completing the steps you mentioned here and get back on track!

    11:23 PM, Sunday November 12th 2023

    Of course! Good luck!

    2 users agree
    11:46 PM, Tuesday November 7th 2023

    Hi, congrats on completing lesson 2! I hope my thoughts can be of help, which I've based on Elodin's guidelines for lesson 2.

    • Arrows: Good experimentation with different kinds of arrows, nice confident lines, and good crosshatching that follows the shape of the arrows in space. Your arrows also generally demonstrate a good sense of compression, and I like the detail that you put into the heads of the arrows' movement in space as well. I notice that not all of your arrows are complete, but it feels like you've completed enough to satisfy the needs of the exercise. However, I'm only noticing lineweight that's been added to some arrows at the points of overlap. I see that lineweight has been added to some of the arrows' entire top line, when lineweight only needs to be added to the dominant line at the points of overlap. I'd go back and add lineweight to the dominant lines at the points of overlap.

    • Organic forms: Well done! Your ellipses develop a strong sense of form throughout, and the sausages are done very well and confidently. I notice that some of the ellipses are redrawn in different angles -- this shows that you're experimenting and feeling the form, which is a good sign, in my opinion. However, for the sake of the course, which teaches us to emphasize confidence by committing to our mistakes, I do have to call it out. I would still constitute this as a pass especially thanks to the strength of many of your ellipses, but it will be important to remind yourself to commit to mistakes going forward.

    Likewise, your contours have also been redrawn several times, and it would be best to go with the first mark even if its wrong.Your contours show a good effort to hook them. I notice that it's a bit more of a struggle for you than the ellipses as some of the contours are underreaching while others are overreaching, but I still consider this strong enough to pass especially as you've demonstrated understanding of how the contours interact with the form.

    • Textures: Your initial studies and notes look good to me. I would say the shading lacks effective transition as it is a quite sudden shift from being darkly shaded to going gradually brighter. Additionally, your first texture on the table has inconsistent transition, as there are both dark and light textures beside each other in the same stage of transition.

    That being said, your dissections are great! Good respect of the silhouette and strong transition from dark to light here. I think you worked incredibly hard and it paid off extremely well here, and I think you can be proud of yourself for how it turned out. I'll consider this section a pass despite effective transition in the first page, as you demonstrated good shading with the dissections. Going forward, it might be helpful to consider doing the 25 textures challenge when it becomes the appropriate time to do it in the course.

    • Intersections: I think you did really well with making all of these shapes appear that they're in the same scene, and the lines are generally very confident and easy to read. I notice some more effort to redraw here -- same as earlier, it will be important to remind yourself to commit to the very first line that's put down. That being said, this is an obvious pass to me!

    Very good work! Your hard work really shows, and you've done something great here. I'm excited to see your next submissions!

    Next Steps:

    Just going to request a minor revision for the arrows: making use of line weight on the dominant lines at the points of overlap.

    When finished, reply to this critique with your revisions.
    4:07 PM, Tuesday November 7th 2023

    This is fantastic! Well done! I appreciate how thorough you were with these corrections. This is more than enough to constitute a pass in my opinion!

    Yes, sorry for not being precise with my wording, I meant to say the lines that converge too early without reaching a vanishing point implied by all of the lines. I'm glad that you still managed to understand what I tried to convey in spite of my miscommunication.

    Best of luck going forward!

    This community member feels the lesson should be marked as complete, and 2 others agree. The student has earned their completion badge for this lesson and should feel confident in moving onto the next lesson.
    2 users agree
    1:49 PM, Tuesday November 7th 2023

    Hi, congrats on completing the challenge! It’s a large undertaking and is impressive that you’ve gotten through it; a testament to your hard work here. I hope my thoughts can be of help.

    I think your boxes are drawn generally very well, with straight and confident lines for the most part. The outlines are done very clearly, and the hatching is done very well. There are some wobbly lines, but it’s to be expected when we’re drawing so many boxes, and, by and large, you’ve showing that you know how to plot two points, use your shoulder to connect them, and create shapes that way.

    Some of your thicker and larger boxes have good perspective, and lines that don’t converge. However, I’ve noticed that some of your thinner boxes tend to have converging lines. Boxes like 185, 186, 176, 177, and more. As far as I can tell with those, the mistake comes from the inner corner, which is very typical as it’s the accumulation of various mistakes along the way. One might normally recommend making sure that you don’t draw the inner corner was the last line for the box, but I’ve also noticed that you have converging lines on different sides of the box as well, such as 71 and 74. This makes me think a different recommendation might be better:

    Next Steps:

    I would recommend going back over your boxes with converging lines with a ruler and pen or pencil of a different colour for corrections. Place your ruler at the point that the converging line starts from, and aim the ruler to draw a new line that fits properly with the vanishing point implied by the direction of the other lines. This will help to build a better intuitive sense of perspective and lead to more accuracy in future exercises. After that, I think the exercise will have fulfilled its purpose!

    When finished, reply to this critique with your revisions.
    2 users agree
    5:25 AM, Tuesday November 7th 2023

    Hi, congratulations on getting started with dab! I hope my comments can be of help, which are based on Elodin’s guidelines.

    Superimposed lines: your lines fray mostly on one end, which is good! There’s some arching happening with the longer lines, which can be corrected by intentionally trying to pivot your shoulder in the opposite direction of the arching. I get the impression that you were trying to control your pivots like this hence why it there are arches both above and below the line — it’ll be important to keep practicing this when you return to the exercise in warmups. When you return to the exercise, it might also be a good idea to practice with some curved lines like in uncomfortable’s reference sheet for the homework. Overall a good first try, so I consider it passed.

    Ghosted lines: noticing more arches, wobbles throughout here. It feels like you might be relying more on your elbow here, especially as none of the lines reach the lengths of the superimposed lines. I’d recommend redoing this exercise for one page, and really trying to make sure you’re using your shoulder the whole time. Experiment with different lengths so you can feel how your shoulder works at shorter and longer lengths.

    Planes: Likewise with the ghosted lines — as the lines are curved and wobbly, it feels like you would benefit from redoing the exercise for one page and making absolute sure you’re using your shoulder throughout. I would also make an effort to make sure that your vertical and horizontal lines inside each plane are angled properly, because some aren’t perpendicular in a way that respects the angle of the plane. Good experimentation with different shapes. Remember to resist the urge to redo some of the lines even if they’re misaimed (I struggle a lot with this too, so don’t worry!)

    Tables of ellipses: it will be important to make sure that your ellipses aren’t overlapping, as quite a few are in your submission. I’d recommend redoing this page as well and really making sure each ellipse doesn’t overlap, which can be done by ghosting each ellipse as carefully as you ghost each straight line. Overall good variety of ellipses!

    Ellipses in planes: Overall well done. I imagine you’ll get better at fitting the ellipse properly inside of the plane by redoing the tables of ellipses and being mindful of how the shape of the ellipse interacts with the shapes around it. I consider this a pass :)

    Funnels: well done as well, great placement of center lines. Some of the ellipses aren’t fitted in properly, but like I said, that’ll probably be addressed with the tables of ellipses exercises. Pass!

    Plotted perspective: very well done, very clear and easy defined shapes! You have a talent for this! Pass!

    Rough perspective: your sense of perspective is really good, but the earlier problems with curved and wobbled lines reappear here. I also notice that you tried redoing some lines, which ultimately makes the shape messier and harder to read. Since the exercise is more about perspective and foreshortening, which you did really well, and you’ll have time to practice drawing straight and confidently lined cubes with the 250 box challenge, I’ll also consider this a pass. if you do the 250 box challenge, it’ll be essential to apply what you’ve learned from trying to use your shoulder while redoing the exercises I’ve recommended.

    Both of your rotated boxes and organic perspectives are incredibly well done in my opinion, hats off. The sense of perspective in each is extremely strong. While it’s not perfect as there are still some curved and wobbly lines, I notice a lot more straight lines that show the fruits of your practice so far. Those are cause to be proud of yourself, in my opinion!

    Next Steps:

    i’d recommend trying another page of the ghosted lines, planes, and tables of ellipses, in that order. Remember to focus deeply on using your shoulder, and not letting your wrist or elbow take over. Don’t be afraid to cover nearly an entire page of ghosted lines with a wide range of different lengths if you need to, as that exercise will be the most important step in focusing on using your shoulder. Pace yourself, and remember to apply that level of concentration you found in forcing yourself to use your shoulder with ghosting your ellipses and getting them to not overlap.

    When finished, reply to this critique with your revisions.
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